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  • 珀金斯:藏在海明威背后的男人

      他总是戴着帽子,一顶七号大的灰色浅顶软呢帽,哪怕在办公室一个人看稿时也戴着。

    2019-03-31

  • 抵达真实的时刻,“美”的感受就有了

      当我最美丽的时候 城市轰隆隆倒塌 从意想不到的地方 我看见了蓝天 当我最美丽的时候 照片中的她是宫崎则子(茨木则子),21岁,正当“最美丽的时候”,还不是一位诗人。

    2019-03-29

  • 法国作家卡特琳:别被外界的期待拘束了自己的人生

      法国作家卡特琳·屈赛。

    2019-03-27

  • 罗塞特与大江健三郎:我们的友谊“绝不简单”

      巴尼·罗塞特是美国著名的独立出版家之一,1951年他收购了格罗夫出版社,并将其打造成二战后美国反主流文化的核心力量。

    2019-03-25

  • 美食家歌德:在诗与真之外

      1823年6月10日,三十一岁的爱克曼初次拜谒歌德,他在当天的日记里写道:“这是我有生以来最幸福的一天。

    2019-03-22

  • W.S.默温译者:面对自然,他更容易与东亚诗歌共鸣

      3月15日,美国桂冠诗人W.S.默温(William Stanley Merwin)在位于夏威夷的毛伊岛家中去世,享年91岁。

    2019-03-21

  • 曾拒绝过普利策奖的美国诗人:他建议我向缪斯跪下祈祷

      W.S.默温(William Stanley Merwin),1927年9月30日出生于纽约。

    2019-03-20

  • 怪作家:喜欢烂苹果味道的席勒,站着写作的纳博科夫

      【编者按】 即便对于那些看上去或的确才华横溢的创作者,一件作品的诞生也不是那么顺畅的。

    2019-03-20

  • 激辩的红唇——“桑塔格”是如何诞生的?

      在生前,苏珊·桑塔格就拥有了一大堆光彩炫目的荣誉头衔:“坎普王后”、 “批评界的帕格尼尼”、“曼哈顿的女预言家”、“后现代主义先锋作家”、“文坛非正式女盟主”、“大西洋两岸第一批评家”等。

    2019-03-18

  • 麦尔维尔诞辰200周年:他写出了一个时代的“自我”

      今年,正值麦尔维尔诞辰200周年,麦尔维尔的短篇小说集首次在国内译介出版,让我们可以更全面地了解这个作家的精神世界。

    2019-03-15

  • 在西欧人眼里,南斯拉夫遍地农民,丽贝卡·韦斯特打破了成见

      丽贝卡·韦斯特,英国记者,旅行作家,《泰晤士报》,《纽约先驱论坛报》,《星期日电讯报》和《新共和国》等作者,也曾为为女权杂志《自由女》写书评,英国皇家文学学会本森奖章的获得者。

    2019-03-15

  • 2019澳大利亚文学周作家推介:理查德•费德勒

      Richard Fidler Richard Fidler is best known as the presenter of Conversations on ABC Radio, an in-depth, hour-long interview program that over the years has put him in the company of the world’s most prominent radio presenters. The program is the most popular podcast in Australia, with nearly four million downloads a month. He’s the author of two best-selling non-fiction books: Ghost Empire, which draws on his lifelong love of history and a journey with his son to tell the story of Constantinople; and Saga Land, co-written with Kári Gíslason, which grew from a radio program exploring the modern echos of Iceland’s traditional sagas, and was awarded the 2018 Indie Book Award for non-fiction. In another life Richard was a member of Australian comedy trio The Doug Anthony Allstars (DAAS), which played to audiences all over the world. Quote The arc of its lifespan is an awesome thing, touching the ancient world at one end and the Age of Discovery at the other. While western Europe struggled through the miseries of the Dark Ages, Constantinople blazed with light as a bastion of Roman law, Greek culture and Christian spiritualism. — The Ghost Empire Book Reviews Fidler's story leaves its readers with a sense of faith in the renewing, illuminating, social powers of historical narrative. The tale of the Ghost Empire has bridged the gap between a father and son, enriching the contemporary world with the echoes of the past. — The Sydney Morning Herald on The Ghost Empire Fidler has a knack for such cutting, weighty observation, at once light yet loaded with meaning and emotion. We already know he is an interviewer of great empathy; now we know he mirrors that skill on the page, too. — The Australian on The Ghost Empire 理查德•费德勒,澳大利亚广播公司著名主持人。

    2019-03-12

  • 2019澳大利亚文学周作家推介:莫里斯•葛雷兹曼

      Morris Gleitzman Morris Gleitzman is a bestselling Australian children’s author and the current Australian Children’s Laureate. He was born in England and emigrated to Australia when he was thirteen. He gained prominence through his columns in Australian magazines, and as a writer for popular television series, but true fame came with his writing for children, often focusing on uncomfortable or confrontational subjects in humorous and unexpected ways. His titles include Two Weeks with the Queen, Grace, Doubting Thomas, Bumface, Give Peas A Chance, Extra Time, Loyal Creatures, Toad Delight and the series Once, Then, Now, After, Soon and Maybe. Two Weeks with the Queen was adapted into a play which was produced around the world. Morris lives in Brisbane and Sydney, and his books are published in more than twenty countries. His books have won, among other awards, all of the Australian Readers Choice Awards voted for by children. Quotes Once I escaped from an underground hiding place by telling a story. It was a bit exaggerated. It was a bit fanciful. It was my imagination getting a bit carried away. It was a lie. — Once, Morris Gleitzman Book Reviews A resonant shot to the heart—Gleitzman delivers a sharp sense of what it must have been like to be a child during the Holocaust, forced to grow up far too quickly. — Kirkus Review on Once It's gentle, and humane, and ordinary, Once, even though its subject is the violent, the inhumane, and the twisted. Readers, child and adult alike, will fall in love with Felix and Zelda, the little girl he takes under his wing, and whose catchphrase is Don't you know anything? It gives dignity where once it was taken away. — Bookbag on Once 莫里斯•葛雷兹曼是澳大利亚畅销童书作家,也是现任“澳大利亚童书大使”。

    2019-03-12

  • 2019澳大利亚文学周作家推介:许莹玲

      Julie Koh Julie Koh (许莹玲) was born in Sydney to Chinese-Malaysian parents. She studied politics and law at the University of Sydney, then quit a career in corporate law to pursue writing. She is the author of two short-story collections: Capital Misfits and Portable Curiosities. The latter was shortlisted for the Readings Prize for New Australian Fiction, the Steele Rudd Award in the Queensland Literary Awards, the UTS Glenda Adams Award in the NSW Premier’s Literary Awards, and the Australian Science Fiction Foundation’s Norma K Hemming Award (Long Work). Julie was named a 2017 Sydney Morning Herald Best Young Australian Novelist. She was a judge for the 2018 Stella Prize. Her short stories have appeared in a wide variety of publications including the Best Australian Stories in 2014 to 2017. Her fiction has been published in the United States, Ireland, Japan, Malaysia and Singapore. Julie is the editor of BooksActually’s Gold Standard, the librettist for satirical opera Chop Chef, and a founding member of experimental literary collective Kanganoulipo. (Photo Credit to Hugh Stewart) Quote I see two things at once. My regular eyes see a lizard about the length of my forearm, its chest expanding and contracting as it breathes. But my other eye sees a little grey boy. His belly is swollen and he looks at me with saucer eyes. — Portable Curiosities, Julie Koh Book Reviews ‘The Australian writer’s new work, Portable Curiosities, is a collection of whip-smart satirical tales that are as painfully funny as they are uncomfortably timely. … It’s perfect for our busy, scary times: easily digestible and, for all its madcap imagination, utterly true.’ — Guardian Australia on Portable Curiosities ‘Koh is a gifted satirist … Humour, weirdness, and social critique characterise almost all of the stories in this clever and highly original collection.’ – The Sydney Morning Herald on Portable Curiosities 许莹玲(Julie Koh)在悉尼出生,父母是马来西亚华裔。

    2019-03-12

  • 2019澳大利亚文学周作家推介:格雷姆•辛浦生

      Graeme Simsion Graeme Simsion is the Australian author of The Rosie Project, The Rosie Effect and The Best of Adam Sharp (film rights optioned by Toni Collette/Vocab Films). The Rosie Project has sold more than three and a half million copies in more than forty countries, won or been shortlisted for half a dozen prizes, and was the only novel on Bill Gates’ list of “six books I’d recommend”. Last year Graeme co-authored with his wife, Anne Buist, the novel Two Steps Forward, with film rights optioned by Ellen DeGeneres/Fox Searchlight. Simsion got his big break in books in 2012, when The Rosie Project won the Victorian Premier’s Literary Award for an Unpublished Manuscript. Before that, he was an IT and business consultant, and also has an extensive background in writing and producing short films and plays, mostly for Australian television and film festivals. Graeme’s newest novel, The Rosie Result, recently debuted at No. 1 in fiction novels in Australia. (Photo credit to Rebecca Rocks) Quote "Wow," she said, very quietly, looking back at the vastness of it all. Then, in this vanishingly small moment in the history of the universe, she took my hand, and held it all the way to the subway. — The Rosie Project, Graeme Simsion Book Reviews Sharp dialogue, terrific pacing, physical hijinks, slapstick, a couple to root for, and more twists than a pack of Twizzlers — it's no surprise that The Rosie Project is bound for the big screen. But read it first. — NPR on The Rosie Project This good-hearted, pacy, thoroughly enjoyable novel takes a significant step towards showing that all human variants are a potential source of life affirming comedy. — Guardian on The Rosie Project 格雷姆•辛浦生,澳大利亚作家,著有《罗茜计划》、《罗茜效应》和《亚当•夏普的黄金时代》(The Best of Adam Sharp)(将由托妮•科莱特/弗卡伯电影公司改编电影)等作品。

    2019-03-12

  • 关于阿斯特丽德

      编剧/导演:帕尼勒·费舍尔·克里斯藤森 主演:阿尔芭·奥古斯特 每年11月14日,年近耄耋的作家阿斯特丽德·林格伦会收到数以千计的小读者贺信,信中大多画着一个可爱的红发女孩,那是她笔下最令人难忘的人物——长袜子皮皮。

    2019-03-11

  • 伦敦的试炼

      作为20世纪最伟大的诗人之一,艾略特的缺陷与怀疑,能让一切过着不完美人生的我们找到共鸣。

    2019-03-11

  • 威廉·巴特勒·叶芝:“我们是最后的浪漫主义者”

      “叶芝之乡” 踏上爱尔兰绿色的国土,漫步首都都柏林街头,就好像重读叶芝的华章,以往觉得陌生的地名和朦胧的意象都变得真切而清晰起来。

    2019-03-11

  • 夏目镜子:我的先生夏目漱石与《我是猫》的写作

      “猫”的家 从明治三十七年(1904)春开始到夏天的时候,夏目的大脑基本上好了不少,那种不顾后果的发作和癫狂也少了许多。

    2019-03-08

  • 杰克•吉尔伯特:他的女人,他的诗,他的漫游和隐居

      我们不能用通常的眼光看待杰克·吉尔伯特。

    2019-03-06